Since making his operatic debut as Sparafucile in Verdi’s Rigoletto, Colin’s “majestic, orotund, ravishing bass” (Opera Today) has been heard in repertoire spanning continents and centuries. The 2016-17 season finds him making his company debut at Opera San Jose as Raimondo in Lucia di Lammermoor. He continues his residence in San Jose reprising Colline in La Bohème and Basilio in Il Barbiere di Siviglia. He will also make his role debut as Father Palmer in the West Coast Premiere of Kevin Puts and Mark Campbell’s Pulitzer Prizewinning Silent Night.
16-17 will also feature several concert debuts including the Verdi Requiem with the La Jolla Symphony, and Dvorak’s Stabat Mater with the Berkeley Community Chorus and Symphony.
Colin’s past performances have brought him to the stages of Seattle Opera, Opera Santa Barbara, Wolf Trap Opera, Austin Opera, Sarasota Opera, Des Moines Metro Opera, The St. Paul Chamber Orchestra, and Los Angeles Philharmonic. He has been featured as Alidoro in Rossini’s La Cenerentola, Collatinus in Britten’s The Rape of Lucretia, Seneca in Monteverdi’s L’incoronazione di Poppea, Mr. Kofner in Menotti’s The Consul, Il Frate in Verdi’s Don Carlo, Angelotti in Tosca, the Sprecher in Mozart’s Die Zauberflöte, Giorgio in the US Premiere of Paisiello’s rarely performed Nina, and as a “sonorous” (Classical King Seattle) Cadmus and Somnus in Handel’s Semele.
Colin also continues to make strides in the Symphonic world. The St. Paul Pioneer Press said ofof Colin’s Messiah performance: “At the other end of the sonic spectrum was bass Colin Ramsey, who had tremendous power and clarity in his lowest notes, making “Why do the nations so furiously rage” into the kind of attention-grabbing interlude that Handel likely intended”. His concert repertoire also includes Jesus in Bach’s St. Matthew Passion, Rossini’s Petite Messe Solennelle, and the Bass solos in Handel’s Messiah, the Faurè Requiem, Beethoven Choral Fantasy and the Brahms Requiem.
He is a winner of the Pasadena Opera Guild Competition, 3rd Prize winner in the Rocky Mountain Region of The Metropolitan Opera National Council Auditions and an Encouragement Award winner in the George London Foundation Competition.
Colin has been trained at numerous young artist programs including those of Des Moines Metro Opera, Wolf Trap Opera, Sarasota Opera, Opera Santa Barbara and the Crested Butte Music Festival performing and understudying a number of roles and working with leading professionals in the classical field.
He is an Alumni of The Manhattan School of Music where he attended as a Presidential Scholar and Theodore Presser Foundation scholar. Upon graduating, he was honored by the Hugh Ross Award, given annually to a “singer of unusual promise.”
Born New York City, Colin currently makes his residence in San Jose, CA